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pre·mo·ni·tion  n 

1. A presentiment of the future; a foreboding.
2. A warning in advance; a forewarning.

Premonition is a short film with three main characters.  It is a contemporary story set in Geneva, about man who has a recurring nightmare and the way he reacts to it.

The film is based on the question about whether we can sometimes see the future.  There is an interesting international project described in this Red Nova article that presents some rather remarkable results on the subject.

This film contains a plot twist at the end which the viewer should not know in advance to fully appreciate the film.  If you do not want to participate in the production but would like to have a chance to enjoy the film when it is released, then we suggest that you do not read any further on this page as it contains spoilers.

Development team
Producer Markus Brugger
Writer/Director Quentin King
Script The first release of the draft script (V1.6) is available in three formats

The names used in the draft script are provisional and will be chosen depending upon the nationalities of the actors.  The ScriptMaker tool makes it simple to change the names at any time.

Many thanks for feedback on the script.  All comments/improvements gratefully received.

Synopsis We witness a nightmare in which we sees a cloaked woman being murdered in a deserted city street by an knife wielding attacker, just after midnight on Friday 13th.  We never see the woman's face because it is hidden in the shadows of her hood. The dreamer, a man in his thirties, awakes alone in his bed.  It's 3am.  He uses his computer to book a flight for a woman from London to Geneva for later that day, Thursday 12th.

The man enters his office with a sandwich, it's early afternoon.  He is a scientist working at CERN.  He uses his computer to look up "Premonition" on Google.  A secretary approaches his door and checks her appearance before entering.  She is wearing a small silver cross on a chain around her neck.  She tells the scientist that a woman left a phone message while he was at lunch.  The woman  is delayed two hours and sounded angry.

Later in the afternoon, the scientist visits the secretary in her office and they talk about premonitions.  They are both shy in each other's company.  She asks if he'd like to meet after work to talk further, but they are interrupted by his mobile phone ringing and he leaves without answering her question.

Later, a woman enters his office pulling a small travel bag on wheels.  She is his sister and she is worried and wants to know why she has been summoned to Geneva.  He delays telling her until they have taken the bus into town and have entered his apartment.

He starts with the story (learned from his web research) of David Booth who in 1979 had a recurring dream about a plane crash. He notified the FAA and American Airlines and on May 25 his dream came true when Flight 191 crashed on takeoff from O’Hare. The sister is sceptical and asks the point of the story. He tells that for the first time in his life and every night for a week he has had exactly the same nightmare in which he fails to stop her being murdered at midnight on Friday 13th.

She is unimpressed and angry to have come to Geneva just for a dream and prepares to leave immediately.  He begs her to stay and reluctantly she agrees. They spend the evening in the apartment.  She asks what is going on between him and the secretary.  He says nothing and is intrigued to learn that the sister had the impression that the secretary is interested in him.

They pass the evening eating takeaway food, drinking wine and playing chess.  As midnight approaches, he becomes nervous and at midnight she fakes being attacked.  He is completely shocked and distressed.  She finds it funny and then goes to bed, reminding him that in London it isn’t midnight yet.  He waits until 1am to check that nothing happens before also going to bed.

The next morning they take the bus to the airport where they part on good terms.

Later in the morning he approaches the secretary's office looking happy, only to find the door is locked.  He asks a passing colleague if she has been seen but she hasn't.  In a flash back he hears again her question if he would like to meet her after work and then sees again the very end of the nightmare.  This time we see just a little more of the murdered woman, enough to see that she was wearing a small silver cross on a chain.  He is overcome with grief and shock as the belief that he saved the wrong woman settles on him.

Character
personalities
Brother The principle character is a physicist working for CERN in Geneva.  He is 30-40, shy and introverted, intelligent and passionate about his work.  He is agnostic and applies the scientific method in all areas of his life.  He is open to ideas but only believes in things which have clear evidence to support them.  His personality type is INTP.
Sister The principle character's sister works in London and is confident and extrovert.  She is intelligent, direct, strongly atheist and sceptical about anything which isn't accepted fact.  They are close in age (could even be twins).  Her personality type is ENTJ.
Secretary The secretary working in the same group as the physicist is 20-30 and also shy and introverted.  She is slightly in awe of the academic intelligence of her scientific colleagues.  She would describe herself as Christian, though she doesn't attend church regularly.  She believes in God, without being able to define Him very clearly, but believes that everything happens for a good reason.  Her personality type is ISFP
Tension

Premonition has three points of tension:

The first aims to gain the viewer's attention by being both shocking and intriguing.  The second builds and then explodes the expectation built by the first, and acts as a phony ending.  While the true ending aims to be surprising and yet sufficiently ambiguous that the question of whether the premonition was true or not remains open.

Sub-plots and
back story
The draft script includes a number of sub-plots and back story elements with the aim to add depth to the characters, making them more interesting and their actions more believable.  Each of these increase the running time and complexity of the film and could be left out with more or less influence on the resulting film.  Every one needs to be examined to see if it adds enough value to the film to justify it's inclusion.
 
Ketchup blood The sister fakes being attacked and simulates blood using a ketchup packet that she find in the kitchen.  We can see her playing with it during the kitchen scene.  The use of this prop implies a significant degree of forward planning by the sister.
David Booth's story The brother tells the true story about David Booth's premonition in 1979.  This allows the sister to reveal her strongly skeptical personality as well as being interesting.
The dead mother The brother's mother was killed when he and his sister where young teenagers.  There was no father on the scene by that time.  The brother still has a strong sense of guilt that he failed to prevent it, which is behind his reaction to invite his sister to Geneva following the nightmares.
The potential love story The secretary has developed a crush on the brother.  He hasn't noticed because both he and she are very introverted and reserved.  This is the motivation for her to invite him to meet after work, and is why he wants to see her the following morning.  The sister reveals the secretary's feelings to her brother in the kitchen scene.
The time change After faking being attacked, the sister mentions that it's not yet midnight in London.  The brother then stays up for another hour to check that she is alright.  This demonstrates the depth of the brother's concern for the sister, and the extent to which he believes his own premonition.
Twins
(not included)
The brother and sister are twins.  This would imply a closer and potentially paranormal bond between them.  It is hard to see how to include this information in the dialogue.
Happy ending
(excluded since  V1.2)
The secretary appears behind the principle character just as he believes that she was the subject of his dream.  He embraces her out of relief and we see her expression change from surprise to delight.  This completely changes the nature of the film, becoming a love story instead of a suspense drama.  If it was really wanted, it could be a teaser at the start of the film, before the nightmare.
Production diary
2/1/2005 QK Woke up with the basic idea for Premonition.
2/1/2005 QK Saw The Incredibles with Denise, Alastair, Fanen, Mike and Johanna.  During dinner at an Asian restaurant afterwards I discussed the synopsis with Alastair.
4/1/2005 QK Told synopsis to with Erik after squash – he proposed the name “Premonition”. Included "happy ending" in which the secretary appears at the end and she and the brother embrace.  He agreed to provide write/perform the music and to do the sound for the film.
6/1/2005 QK Found ScriptMaker tool.  Wrote first version of the synopsis.
7/1/2005 QK Long Skype discussion with Hugh.  His message was: "Keep it simple and true to it’s idea.  Cut the happy ending, cut everything which doesn't drive the narrative forward.  Don't expect to give characters depth in a short film."
8/1/2005 QK Helped Silvia move apartment – Saw Oliver Stone's Alexander in the evening (way too long) with Karsten, Markus, Micha and Anna.  Told them the synopsis.  Conclusion: drop the happing ending - done!
9/1/2005 QK Dinner with Markus – Discussed his film idea, Expectations, and Premonition.  Agreed on the name for the group “Open Your Eyes Films”. 
12/1/2005 QK Spend 1 hour writing script with new tool.
14/1/2005 QK Discussed synopsis with Silvia – she liked the idea is interested to help with locations, sets and costumes.
15/1/2005 QK Spent 3 hours writing dialog – found interesting advice on http://screenwriting.info.  Wrote first living room scene.  Included the story of David Booth in the first draft.  We'll see how long it is later and what to cut.
16/1/2005 QK Discussed script with Erik.  He proposed to move the bus ride to the morning after to keep the tension between brother and sister from office to home.  Good idea that I’ve already implemented, though I propose to keep one very short shot of them on the bus going home, looking stressed.
18/1/2005 QK Spent 1 hour writing dialog for the kitchen scene about secretary.
19/1/2005 QK Spent 3 hours finishing the rest of the scenes.  First rough draft completed (V1.4).  12 pages + cover page.  Probably about 20 minutes in its initial form.
20/1/2005 QK Spent 2 hours checking spelling, grammar and layout.  Clean first draft (V1.5) completed and converted to PDF.
21/1/2005 QK Created this website.  Markus agreed to be producer for the project.
22/1/2005 QK Comments on V1.5 from Erik and Markus:
  • Sister's faked attack isn't believable - no one could be that mean - Erik
  • Sister's faked attack is completely believable - I know someone who has done worse! - Markus
  • If we want a happy ending, it should be at the beginning as a teaser before the nightmare scene.
  • The film shouldn't start too fast - there could be a tour of the brother's apartment before the nightmare scene.
  • The brother keeps a journal which shows us that he has had the nightmare every night for a week.
  • The sister drinks more wine than the brother so that her faked attack is partly the result of her being a bit drunk.
23/1/2005 QK Prepared V1.6 for publication on this page incorporating most of the comments.
25/1/2005 MB Email notification sent about EYO/Birthday party in February.
26/1/2005 QK Feedback received from Tom Payne and Toni Oettl
4/1/2005 QK Feedback received from Kat Tiefenthal
10/2/2005 QK New feedback and comments added to the feedback page.